Sound fail at Academy Awards (2012) – I don’t know if I am just over sensitive to it but I could barely stand to watch the Oscars last night due to the terrible audio. The ringing feedback from the PA system was constant. Plus, from the very start the mix was poor between vocal and orchestra. I could barely hear Billy Crystal’s lyrics over the music, and the announcements about a winner as they walked up to the music were also barely audible.
I think the two problems were related. Perhaps they realized that the system amplifying the vocals was not doing the job so they bumped the gain there (you HAVE to be able to hear the people speaking at the Oscars), only to cause things to become unbalanced (in a mixing sense, not an electronic signal sense), causing feedback.
I used to play in a small band in the same room that seemed to want to feedback at certain specific frequencies. Rather than turn the entire PA down at the master volume control ( a mistake MANY people make) until the screeching goes away, we attached an EQ unit and only turned down the offending frequencies. That helped a lot, allowing us to continue at the same overall volume without ripping your ears out. However, doing it that way did result in a sort of “ghost feedback” that sounded like a sort of ringing at the edges of the sound. That is exactly what that sounded like last night in the Oscars’ audio system. I have not proof that it was that, but that’s my guess.
What did y’all think? What do you think caused the problem? Please leave a comment below.

But with this cool product, you mount your camcorder on top of the BeachTek DXA-2T adapter via the tripod connector mounting screw. You’ll need a coin (or a guitar pic, which is what I used) to tighten it from the bottom of the DXA, where there is also the female tripod connector allowing you to mount the whole thing to a tripod.


Entering into the live sound realm for a bit – do you know the difference between a PA and a distributed power system? You’ve probably heard of a PA (public address) system system before. These are what live bands use, as well as even coordinators, etc. It’s usually heavy box (mixer and amplifier combined) with lots of holes and knobs on it, along with two heavy speakers. You plug a microphone or two into the “input” holes, and two cables into the “output” holes on the heavy box. Finally you plug the other end of each cable into a speaker. You plug the power cable on the box into a wall, flip the “on” switch on the big box, and presto! You’re ready to talk or sing into a microphone and have it be heard by everyone in the room.
Keep up with all the latest arrivals of the newest audio recording gear at B&H. Click on the picture on the left to be taken to a page at 